Today we take a look at how we set up and executed our interview with David Sandberg. We cover the location, cinematic ...

Great filmmaking delves beyond the elements on screen to consider both what we see and how we process visual narratives. This is particularly true of the use of color in film, which can be ...

Anthony is a Toronto-based communications specialist with degrees in history and journalism who loves to use his research and interview skills to inform and entertain. He has over a decade of ...

Add Yahoo as a preferred source to see more of our stories on Google. It only took a clock tick for director Jon M. Chu to shoot down rumors that color grading was never completed on Wicked: For Good.

Going to the cinema to see a 4K restoration or buying a Blu-ray of a beloved classic from a boutique publisher, one is never quite sure what one will get, colorwise. Frequently, a distinctly tinted ...

Company 3 colorist Yvan Lucas accepted the FilmLight Color Award for a theatrical feature. By Carolyn Giardina Tech Editor The candy-colored look of Barbie delivered colorist Yvan Lucas of Company 3 ...

Whether it’s Wes Anderson’s vibrant color palette in “The Grand Budapest Hotel” or the comic-styled color disruptions of Robert Rodriguez’s “Sin City,” the color of a film sets its mood and tone. Film ...

One of the most effective ways to change the mood of a photo is to add and subtract color to it. That’s something Adobe’s Lightroom software has given you the option to do for a while, but in one of ...